Keywords
Cinema, Music, Turkish Cinema, Cahit Berkay, Selvi Boylum Al Yazmalım, Çöpçüler Kralı.
How to Cite
Dolunay, A. ., Kasap, F. ., & Kambur, H. . (2021). THE EFFECT, IMPORTANCE AND FUNCTIONS OF MUSIC IN CINEMA:: EXAMPLE OF CAHIT BERKAY IN THE CONTEXT OF TURKISH CINEMA. Revista Gênero E Interdisciplinaridade, 2(01). https://doi.org/10.51249/gei.v2i01.148
Abstract
This study focuses on an example of Cahit Berkay who has an important place in the context of film music and the importance, effect and functions of music in the Turkish Cinema. Essentially of the study within the frame of literature review, music, cinema, the relation between music and the field of arts, Turkish Cinema and music, also provides information relates with Cahit Berkay in the context of music in Turkish cinema. The research part of the study, to measure the effects of the soundtracks composed by Cahit Berkay, “Selvi Boylum ve Al Yazmalım” and “Çöpçüler Kralı” movies detected by sample for purpose, versions separated from music with technical method and original music versions interview group (limited to Near East University Vocational School of Health Services Year 2 students) viewed; reactions of students, content analysis technique a from qualitative and quantitative research methods, has been measured within the framework of their responses through written opinion forms with predetermined structured questions. Furthermore, a semi-structural interview technique used from qualitative research methods, face to face interview performed with Cahit Berkay pre-prepared open-ended questions; the collected data have been evaluated by content analysis method.
References
Artıkay, G., G. (2017). Effects of Postminimalist Music School in Film Music, Istanbul Technical University Institute of Social Sciences Musicology and Music Theory Department Musicology Program, Unpublished Master Thesis.
Baysal, O. (2014). Aristoxenos’s understanding of Music Science. International Refereed Social Sciences E-Journal, 46, 62-83.
Betton, G. (1986). History of Cinema. Access address: https://sinekutuphane.files.wordpress.com/2015/04/gerard-betton-sinema-tarihi.pdf
Burt, G. (1994). The Art of Film Music, Northeastern University Press: Boston.
Burt, G. (1994). The Art of Film Music, Northeastern University Press: Boston. (10)
Cahit Berkay. (2019, March 5). Access address: https://tr.wikipedia.org/wiki/Cahit_Berkay
Biography of Cahit Berkay. (2020, March 12). Access address: https://www.haberler.com/cahit-berkay/biyografisi/
Movies with Cahit Berkay's music (2019, December 11). Access address: https://bit.ly/2wLttIr
Doğan, E. (2009) Film Music as One of the Elements Playing an Important Role in the Influence of the Audience in Cinema Films, Institute of Social Sciences, Radio Television Cinema Department, Master Thesis
Doğan, E. (2009). Film Music as One of the Elements That Play an Important Role in the Influence of the Audience in Cinema Films, Istanbul University Institute of Social Sciences, Radio Television Cinema Department, Unpublished Master Thesis.
Dolunay, A. (2018). Press Rights and Freedoms within the Framework of Legal and Ethical Codes in the Digital Age: The Case of TRNC. Istanbul: Oniki Levha Publishing.
Gümüşkemer, A. (2018). Turkish cinema between 1960 and 1980: Reflections of regional management on Turkish cinema: Stage and Visual Arts, Istanbul University Institute of Social Sciences, Radio Television and Cinema Department, Published PhD Thesis.
Günlük, M., Özer, G. & Özcan, M. (2017). The Interim Variable Effect of Professional Commitment in the Relationship between Job Satisfaction and Individual Job Performance: A Study on Professional Accounting Professionals. International Review of Economics and Management, 5 (4), 1-22.
Fine Arts High School, Music Culture, MEB. (2018, October 26). Access address: http://www.sanatsal.gen.tr/muzik-kavrami-ve-tanimi/
Irving, K. (1949). Film Music. Proceedings of the Royal Musical Association, 76, 35-45.
Johshon, J., M. (2002). In-Depth Interviewing. Handbook of Interview Research Context & Method (Editors: Jaber F. Gubrium, James A. Holstein). London: Sage Publications.
Kabataş, M. (2017, January 2). The Effect of Music on Cinema, Eastern Anatolia Journal of Trends in Social Sciences, 37-48.
Kahn R., L. (1983). The Dynamics of Interviewing. Florida: Robert E. Krieger Publishing Company.
Kocabas. K., O. (2016, October 9). King of the Garbagemen. Access address: https://www.filmloverss.com/copculer-krali/
Kocamanoğlu, K. (2019, June). Classroom Teachers' Music Education Proficiency: Pamukkale University, Institute of Educational Sciences, Department of Fine Arts, Music Education, Unpublished Master Thesis.
Kocak, A & Arun, Ö. (2006). Sample Problem in Content Analysis Studies, Selcuk University Communication Faculty Journal, 3 (4), 21-28.
Konuralp, S. (2004). “Soundtrack”, History and Writings. Istanbul: Oğlak Publishing.
Konuralp, Sadi: “Soundtrack”, History and Writings, İstanbul, Oğlak Publishing, 2004.
McCracken, G. (1998). The Long Interview. London: Sage Publications.
Meyer, J. & Allen, N.J. (1997). Commitment in the Workplace: Theory, Research, and Application. Sage Publications.
Concept and Definition of Music (2018, October 26). Access address: http://www.sanatsal.gen.tr/muzik-kavrami-ve-tanimi/
Ökten, Z (Director), & Eğilmez, E (Producer). (1978). King of the Garbagemen, Turkey: Arzu Film. Access address: http://www.sinematurk.com/film/2820-copculer-krali/
Özcan, G. (2018, February 19). Is cinema an art or business? Access Address: https://www.yenisafak.com/yazarlar/gokhanozcan/sinema-sanat-mi-ticaret-mi-2044507
Özdemir, M. (2010). Neutral Data Analysis: A Study on the Problematic of Methodology in Social Studies, Eskişehir Osmangazi University Journal of Social Sciences, 11 (1), 323-343.
The Strings of Pythagoras (2017, May 22). Access address: https://www.kainatsessizlikmis.com/pisagor-un-telleri/
Provenzano, C. (2008). Towards an Aesthetic of Film Music: Musicology Meets the Film Soundtrack, Music Referance Service Quarterly, 10: 5
Punch, K., F. (2005). Introduction to Social Research, Quantitative and Qualitative Approaches (Trans. D. Bayrak, H.B. Aslan, Z. Akyüz). Ankara: Siyasal Bookstore.
Selvi Boylum Al Yazmalım (t.y.). Access address: http://www.turkcebilgi.com/selvi_boylum_al_yazmal%C4%B1m_(film)
Snape, E., Lo, C.W. & Redman, T. (2008) The Three Commitment Model Of Occupational Commitment: A Comparative Study Of Chinese And British Accountants, Journal Of Cross Cultural Psychology, 39(6): 765-781.
Sözen, M. (2013). Sound Design in Cinema as an Aesthetic Item and Sample Film Analysis. Turkish Studies, 8: 2097-2109.
Tekin, H., H. (2006). In-depth Interview of Qualitative Research Method as a Data Collection Technique, Turkish Journal of Sociology, 3 (13), 101-116.
Why is Turkish Cinema Called Yeşilçam? (2019, February 16). Access address: https://www.mynet.com/turk-sinemasina-neden-yesilcam-deniyor-1056943-mykadin#
Uysal, Ü., M. (2019, November 24). Personal Interview by Cahit Berkay Evaluating His Art Life and Next Generation Musicians. Access Address: https://bit.ly/2UMbI3O
Weber, R., P. (1989). Basic Content Analysis. Londra: Sage.
Yağız, N. (2006). Characters and Types in Turkish Cinema in the 1950-1975 Period: The View of Turkish Cinema to Turkish Society. Mimar Sinan Fine Arts University, Institute of Social Sciences, Cinema-Television Department, Proficiency in Art Thesis.
Yue, J. (2008). Confucius on music education. Nebula, 5(1-2), 128+. Erişim adresi: https://cdn.atria.nl/ezines/IAV_607294/IAV_607294_2009_4/Nebula4/Yue.pdf
Baysal, O. (2014). Aristoxenos’s understanding of Music Science. International Refereed Social Sciences E-Journal, 46, 62-83.
Betton, G. (1986). History of Cinema. Access address: https://sinekutuphane.files.wordpress.com/2015/04/gerard-betton-sinema-tarihi.pdf
Burt, G. (1994). The Art of Film Music, Northeastern University Press: Boston.
Burt, G. (1994). The Art of Film Music, Northeastern University Press: Boston. (10)
Cahit Berkay. (2019, March 5). Access address: https://tr.wikipedia.org/wiki/Cahit_Berkay
Biography of Cahit Berkay. (2020, March 12). Access address: https://www.haberler.com/cahit-berkay/biyografisi/
Movies with Cahit Berkay's music (2019, December 11). Access address: https://bit.ly/2wLttIr
Doğan, E. (2009) Film Music as One of the Elements Playing an Important Role in the Influence of the Audience in Cinema Films, Institute of Social Sciences, Radio Television Cinema Department, Master Thesis
Doğan, E. (2009). Film Music as One of the Elements That Play an Important Role in the Influence of the Audience in Cinema Films, Istanbul University Institute of Social Sciences, Radio Television Cinema Department, Unpublished Master Thesis.
Dolunay, A. (2018). Press Rights and Freedoms within the Framework of Legal and Ethical Codes in the Digital Age: The Case of TRNC. Istanbul: Oniki Levha Publishing.
Gümüşkemer, A. (2018). Turkish cinema between 1960 and 1980: Reflections of regional management on Turkish cinema: Stage and Visual Arts, Istanbul University Institute of Social Sciences, Radio Television and Cinema Department, Published PhD Thesis.
Günlük, M., Özer, G. & Özcan, M. (2017). The Interim Variable Effect of Professional Commitment in the Relationship between Job Satisfaction and Individual Job Performance: A Study on Professional Accounting Professionals. International Review of Economics and Management, 5 (4), 1-22.
Fine Arts High School, Music Culture, MEB. (2018, October 26). Access address: http://www.sanatsal.gen.tr/muzik-kavrami-ve-tanimi/
Irving, K. (1949). Film Music. Proceedings of the Royal Musical Association, 76, 35-45.
Johshon, J., M. (2002). In-Depth Interviewing. Handbook of Interview Research Context & Method (Editors: Jaber F. Gubrium, James A. Holstein). London: Sage Publications.
Kabataş, M. (2017, January 2). The Effect of Music on Cinema, Eastern Anatolia Journal of Trends in Social Sciences, 37-48.
Kahn R., L. (1983). The Dynamics of Interviewing. Florida: Robert E. Krieger Publishing Company.
Kocabas. K., O. (2016, October 9). King of the Garbagemen. Access address: https://www.filmloverss.com/copculer-krali/
Kocamanoğlu, K. (2019, June). Classroom Teachers' Music Education Proficiency: Pamukkale University, Institute of Educational Sciences, Department of Fine Arts, Music Education, Unpublished Master Thesis.
Kocak, A & Arun, Ö. (2006). Sample Problem in Content Analysis Studies, Selcuk University Communication Faculty Journal, 3 (4), 21-28.
Konuralp, S. (2004). “Soundtrack”, History and Writings. Istanbul: Oğlak Publishing.
Konuralp, Sadi: “Soundtrack”, History and Writings, İstanbul, Oğlak Publishing, 2004.
McCracken, G. (1998). The Long Interview. London: Sage Publications.
Meyer, J. & Allen, N.J. (1997). Commitment in the Workplace: Theory, Research, and Application. Sage Publications.
Concept and Definition of Music (2018, October 26). Access address: http://www.sanatsal.gen.tr/muzik-kavrami-ve-tanimi/
Ökten, Z (Director), & Eğilmez, E (Producer). (1978). King of the Garbagemen, Turkey: Arzu Film. Access address: http://www.sinematurk.com/film/2820-copculer-krali/
Özcan, G. (2018, February 19). Is cinema an art or business? Access Address: https://www.yenisafak.com/yazarlar/gokhanozcan/sinema-sanat-mi-ticaret-mi-2044507
Özdemir, M. (2010). Neutral Data Analysis: A Study on the Problematic of Methodology in Social Studies, Eskişehir Osmangazi University Journal of Social Sciences, 11 (1), 323-343.
The Strings of Pythagoras (2017, May 22). Access address: https://www.kainatsessizlikmis.com/pisagor-un-telleri/
Provenzano, C. (2008). Towards an Aesthetic of Film Music: Musicology Meets the Film Soundtrack, Music Referance Service Quarterly, 10: 5
Punch, K., F. (2005). Introduction to Social Research, Quantitative and Qualitative Approaches (Trans. D. Bayrak, H.B. Aslan, Z. Akyüz). Ankara: Siyasal Bookstore.
Selvi Boylum Al Yazmalım (t.y.). Access address: http://www.turkcebilgi.com/selvi_boylum_al_yazmal%C4%B1m_(film)
Snape, E., Lo, C.W. & Redman, T. (2008) The Three Commitment Model Of Occupational Commitment: A Comparative Study Of Chinese And British Accountants, Journal Of Cross Cultural Psychology, 39(6): 765-781.
Sözen, M. (2013). Sound Design in Cinema as an Aesthetic Item and Sample Film Analysis. Turkish Studies, 8: 2097-2109.
Tekin, H., H. (2006). In-depth Interview of Qualitative Research Method as a Data Collection Technique, Turkish Journal of Sociology, 3 (13), 101-116.
Why is Turkish Cinema Called Yeşilçam? (2019, February 16). Access address: https://www.mynet.com/turk-sinemasina-neden-yesilcam-deniyor-1056943-mykadin#
Uysal, Ü., M. (2019, November 24). Personal Interview by Cahit Berkay Evaluating His Art Life and Next Generation Musicians. Access Address: https://bit.ly/2UMbI3O
Weber, R., P. (1989). Basic Content Analysis. Londra: Sage.
Yağız, N. (2006). Characters and Types in Turkish Cinema in the 1950-1975 Period: The View of Turkish Cinema to Turkish Society. Mimar Sinan Fine Arts University, Institute of Social Sciences, Cinema-Television Department, Proficiency in Art Thesis.
Yue, J. (2008). Confucius on music education. Nebula, 5(1-2), 128+. Erişim adresi: https://cdn.atria.nl/ezines/IAV_607294/IAV_607294_2009_4/Nebula4/Yue.pdf
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