MUSIC IN NAZIST GERMANY: BIBLIOGRAPHIC REVIEW

Abstract

The present work seeks, through the publications of research by authors from different areas of knowledge, such as the area of ​​Arts and Human Sciences, to bring elucidations and debates on the relationship between the arts, in particular music and the Nazi regime, from the beginning. of the party until the collapse of Germany at the end of the war. Through the bibliographic review, we try to bring notes here on the relations between music, Wagner’s opera, with the Nazi regime, passing through the relations of the German people itself with the arts, as well as the members of the Nazi high dome and their interactions with the arts. The focus of the work is the party’s persecution relations with some characteristics of various artistic manifestations that were not in line with the Nazi ideology, however, we also emphasize here the use of these same artistic manifestations to foment a Nazi ideology with the German people, emphasizing the paramount importance of the arts to Hitler and his followers and to the propagation of Nazi ideology.